|Dinner With A Vampire (1987)|
|Writers:||Lamberto Bava, Luciano Martino, Dardano Sacchetti|
|Starring:||George Hilton, Patrizia Pellegrino and Riccardo Rossi|
|The Plot: When a local talent agency puts on an audition, several young people show up in order to grab a piece of the pie. Apparently the audition is for any and all entertainers, as we see an actress, a dancer, a singer and a comedian all show up to perform in order to gain access to a role in the famed Jurek’s (George Hilton) next feature film. Jurek is a rather creepy gentleman who has his own castle out in the far hills of Italy, where the four lucky winners (three young women and a young man) are invited to come stay. When they arrive, it turns out this might be a bit more than they expected. First they are shown a gruesome vampire film, and when Jurek finally arrives he seems more creepy than suave. As it turns out, Jurek is an immortal creature of the night! A vampire! Tired of his immortality, Jurek wants to die and he asks for this group of young people to attempt to kill him at some point during the night. Will they succeed or will they simply turn into another platter on Jurek’s dining table?|
I’ll start from the beginning. When we first meet Monica and Rita, they are introducing themselves to one another before going in for an audition. During this audition we get to see how dreadfully untalented our lead cast are, with Monica’s “dancing” really taking the cake for most pointless talent. Afterward we skip forward a week and apparently Monica and Rita have moved in together! Not only that, but after making the move in just one week they have their phone line established and have already given their new phone number to the talent agency because they soon receive a phone call on behalf of Jurek who wants both girls to come stay at his castle. Right off the bat, this logic hit me as being “wrong” and from there on out I found the film more and more difficult to really get into. Bava seems to try and manage camp comedy and serious bloody horror, but the mix never seems exactly right. Instead the comedy comes off as forced and annoying, especially due to the character of Gianni who is essentially your run of the mill Friday the 13th “smart-alec” type of character. This time around though, the smart alec doesn’t receive a quick death but instead has to become one of our strongest heroes.
There are moments of decent gore, more than one would expect from a made for TV project, but it isn’t enough to really save the project from its own genre-film dependency on cliche material. The FX work ranges, from very good to utterly atrocious. The creature FX for Jurek when he is fully transformed, it is quite phenomenal for a low budget project like this. I was almost blown away by how good the Jurek monster looked. However, in every other way the creature makeup is very plain. I am not usually one to complain about how terrible vampire fangs are in any given movie, but there are some really bad fang-effects in this one. You can get a slight taste of it in the above picture of Hilton exposing his fangs.