|The Great Texas Dynamite Chase (1976)|
|Writers:||David Kirkpatrick and Mark Rosin|
|Starring:||Claudia Jennings, Jocelyn Jones and Johnny Crawford|
|The Plot: Candy (Claudia Jennings) is a simple kind of girl from a simple farming home. After spending some time in the joint, she finally concocts a plan to escape from prison. When all goes as planned, her sister is waiting for her with a car just outside of the prison and Candy is then set out on the town. Ellie-Joe Turner (Jocelyn Jones) is a bank teller in a small Texas town, where nothing exciting ever seems to happen. When Candy roles into town though, she brings just the right variety of excitement. She walks into Ellie-Jo’s bank with two sticks of dynamite and threatens to blow everyone up if they don’t hand over the money. She executes her robbery perfectly and takes the money she makes in order to save her families farm before heading out West. Along the way she meets up with Ellie-Jo once again, as the young woman has taken to hitchhiking in order to find some form of excitement similar to what she has just experienced. It is here that the two form a close bond and start planning out their very next robbery.|
The tone that Great Texas… grabs is really pitch perfect for this genre type. Right from the very beginning, we are set in the world of hayfields and country music. The music is a mix of bluesy tunes with a little honkytonk piano along with strings. Craig Safan provided the music and he perfectly captures the popular culture of the time (blaxploitation funk) mixed with that raw southern twang. I like that the film isn’t afraid to experiment with various sounds, and the overall soundtrack is intense because of it. The film is generally quite brave in varying areas other than just the music, howver. Our two leads are given very uncompromising and sexual roles, with which they help sell the sexual revolution. These girls are tough and rebellious in their nature and we get to see this when Jocelyn Jones demonstrates her feminine powers at the very start of the film by having an apparent one night stand with some dolt who she quickly tells to leave once morning time has come. The picture of these tough, no nonsense, working women with sexual desires that need to be fulfilled is very quickly drawn out for the audience, and although there’s an exploitative edge to most of the sex in the movie, the women are ultimately the ones who incite most of it and do so while not appearing “loose” or ignorant.