|Stray Cat Rock: Wild Jumbo (1970)|
|Starring:||Tatsuya Fuji, Takeo Chii, Yûsuke Natsu and Meiko Kaji|
|The Plot: Stray Cat Rock: Wild Jumbo is not a film that follows a very intricate sort of plot, however, at its most basic it is a movie that follows the adventures of a “gang” of teens. The group is made up of several fellas and one lady (the lady is played by Meiko Kaji, who acts as the only returning performer in this sequel). They spend their days rolling around in a dunebuggy on the beach or in the midst of the city. Although this group of hipsters seem rather nice, they aren’t averse to a bit of violence to get what they want. Scams are their forte, and they have acquired a variety of ways to supply all of their needs. When the leader of this group runs into a interesting young woman riding a horse near their headquarters, their lives all take a twist for the more interesting. As we are introduced to these characters, we are also introduced to the Seikyou Society who are a cult that is garnering a great deal of money from Japanese believers. It also becomes apparent that this group will be collecting a huge sum of money at a large meeting that is expected to happen soon. With the help of this new young woman, our gang plans to rob the Seikyou Society of their money and help this new friend acquire some form of hidden vengeance against this cult.
The movie is rather bizarre, there is simply no getting past it. A mix of sixties era psychedelic imagery and seventies era rebellion, the movie is conflicted in the aesthetics that it wishes to follow. The “gang” that we follow within this film differentiates itself from both cultures, it seems. The group certainly resembles the commune mentality of the sixties-era hippie movement, upon a cursory first glance at least, due to their willingness to help each other and their general fun loving attitudes. However, they quickly separate themselves from the sixties by displaying their overwhelming sense of greed as well as their attraction to scams and violence. While most of the time their rebellion generally makes them seem like a nuisance to all of the “straights” around them, they occasionally delve into some truly questionable antics. When the time comes, and the film makes its transition into a serious “heist” movie, they finally progress into having a yakuza-esque edge. This “edge” is surprisingly gone throughout the majority of the movie, and seems very out of place when the movie finally attempts to present a harsher tone during the final half hour. Viewers can never really know what to expect from Wild Jumbo, to be honest. It is a mix and match sort of movie that seems as if it may have been put together on the fly. The introduction for the movie seems to hint at it being a more direct sequel to the original Delinquent Girl Boss, as it actually features a very tiny cameo by Akiko Wada (sultry soul singer who was a star in the original movie). Wada is soon completely abandoned, however, and we find that Meiko Kaji has been transformed into an entirely different character. In the cinematic “crime of the century,” Kaji is actually left in one of the smallest parts of her career.