The Gestapo’s Last Orgy Review | Varied Celluloid

The Gestapo’s Last Orgy Review

Posted by Josh Samford On September - 30 - 2010
Now folks, we have the final Varied Celluloid review before we head directly into Halloween Horrors! Can you smell the candy corn? The roasting pumpkins? I know that I can! So, with our final review for September Prof. Aglaophotis contributes another Nazisploitation review for all of us to fawn over! The Gestapo’s Last Orgy is here to take your sanity!

The Plot: The movie begins post-World War II. An ex-Major to the Third Reich, Conrad von Starker, meets with a stoic young woman named Lise Cohen which he reveals to have had a relationship with. The two drive to the remains of a women’s concentration camp known as Naugen where they start to have collective flashbacks of the events that lead them to have a relationship. As it turns out, Lise was one of the prisoners there and the camp was being used as makeshift brothel for the soldiers before they returned to the front, the prettiest prisoners being used for sexual purposes. Despite the death and sleaze around her, Lise remains unafraid about her incarceration; no matter what is happening, who is getting killed or how, Lise is ready for death. Conrad von Starker notices Lise’s behavior and is enraged by her attitude: being the Commander of the camp, von Starker feels in control of the prisoner’s lives and having someone who wishes for death when it benefits them is against his ruling. He puts it upon himself to do whatever it takes to make Lise fearful of death, all the while the events building up to the eventual relationship between the two and what has really brought the two together at the camp one last time.


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Varied Celluloid is a film website intent on delivering views on movies from all genres. Started in 2003, the website has been steadfast in its goal and features a database of over 500 lengthy reviews. If you would like to contact us about writing for the website or sending screeners, please visit the about page located here.

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